Nanette Is a Radical, Transformative Work of Art
(THE ATLANTIC)

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Patrick Melrose: A Lacerating Tour de Force
(THE ATLANTIC)

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Can Barbie Really Have It All? 
(THE ATLANTIC)

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The Wistful, Sharp Return of Girls
(THE ATLANTIC)

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Ali Smith's Autumn Is a Post-Brexit Masterpiece
(THE ATLANTIC)

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In a Debut Novel, the Artist's Life Takes on Darker Shades
(THE NEW YORK TIMES)

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Is Food the Greatest Art Form of All?
(THE ATLANTIC)

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Female Protagonists
(THE NEW YORK TIMES BOOK REVIEW)

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A Whole New Homeland
(THE ATLANTIC)

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Woody Allen's Dark, Tedious Fantasies
(THE ATLANTIC)

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Soggy Bottoms and Sex Box: The Saucy State of Britain's TV Exports
(THE ATLANTIC)

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The Forgotten Handmaid's Tale
(THE ATLANTIC)

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John Wick: An Idiot Killed His Puppy and Now Everyone Must Die
(THE ATLANTIC)

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Russell Brand's Revolution: An Unreadable Manifesto
(THE ATLANTIC)

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Taylor Swift's New York Is Not Your New York
(THE ATLANTIC)

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The Best Film About Islamic Terrorists Is a Comedy
(THE ATLANTIC)

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The Trip to Italy: You'll Laugh, Until You Cry
(THE ATLANTIC)

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Lauren Weisberger's Revenge Wears Prada: The Devil Returns
(THE WASHINGTON POST)

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Mia Feuer: An Unkindness
(WASHINGTONIAN)